Taylor swift your mom gay meme
![taylor swift your mom gay meme taylor swift your mom gay meme](http://i0.kym-cdn.com/photos/images/list/000/804/005/d54.jpg)
![taylor swift your mom gay meme taylor swift your mom gay meme](https://i.pinimg.com/originals/c0/e6/bc/c0e6bcd36024f39e453f04b816185cd6.jpg)
She might just want too much out of what is a very fleeting and hard-to-maintain existence.” “But she doesn’t seem just fine with having a core fan base. “Her core fan base is still huge,” David Turner, a music critic who runs the streaming music newsletter Penny Fractions, told The Ringer. As touring profit becomes a more reliable indicator of appeal, Swift is still on top even if she never bests her teenage self’s album numbers. Her hefty album sales for the Reputation tour in 2018 led Forbes to crown her the highest-paid celebrity in America. She doesn’t cry about her haters anymore, she uses them as fodder for hit-single cheek-“Shake It Off,” “Look What You Made Me Do,” “You Need to Calm Down.” Her best-selling record is still 2008’s Fearless, released just one month after Spotify showed up in the United States and nuked album sales indefinitely, but Swift has dealt with that decline by making sure her tours are treated as unmissable spectacles by fans. In the ensuing decade, Swift has risen into a rarefied echelon of true pop superstars, though her sweetheart persona has been complicated to the point that her formerly shiny-smooth image now features snakeskin embellishments. (What else fuels fame like a feud between celebrities?) And at the MTV Video Music Awards that year, Kanye West jumped onstage to interrupt Swift’s acceptance speech for Best Female Video, kicking off an exhausting entanglement that would alternately muddle and enhance each artist’s reputation. She hosted Saturday Night Live for the first time. Swift was also a publicity prodigy, connecting with fans on MySpace and with tabloid-reading, album-buying moms through her Us Weekly–core romance with Disney star Joe Jonas. Critics loved that she wrote her own songs, parents loved that none of them had cusses, and everyone loved that they were catchy as shit. Swift’s second album, Fearless, had made her the best-selling musical act in the United States. It was the year “You Belong With Me,” an earworm about an underdog-in-love that helped turn its girl-next-door singer into the closest thing music had to a Disney princess, blasted from car radios no matter which station they were turned to. But 2009 was the year her perky, countrified celebrity solidified into industrial-grade American fame. Ten years ago, Taylor Swift was a 19-year-old Nashville singer-songwriter with a steadily growing fan base, a pair of twangy tween-dream albums and a string of Billboard hits. I turn on the television to watch sports and Taylor Swift is there I go to pick up an Amazon package and her blond, feline face is smiling at me and reminding me I’m absolutely going to listen to her new album, Lover, of course I am, how could I not? Swift has achieved the kind of success that turns a person into an institution, into an inevitability.īut before she felt as inescapable as the weather, she was simply a star in waiting. Swift’s music isn’t released as much as it is unleashed, the melodies saturating deep into the tissue of contemporary public life whether we like it or not. In the same way that a meteorologist might struggle to predict a whole year’s weather rather than the next week’s rain, it is exceedingly difficult to distill an accurate assessment of Taylor Swift as though she’s an ordinary pop act she is a musical biosphere unto herself.